Incantation Sublimation, by Chad M. Clark / Weasel Walter

Incantation Sublimation

by Chad M. Clark / Weasel Walter

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	1.	Things In The Basement 01:19
	2.	No Fuss 00:52
	3.	Incantation Sublimation 02:48
	4.	Hot For An Arms Race 02:07
	5.	Malibu 04:00
	6.	Oldest Leper 01:27
	7.	Jacky Ha-ha 02:59
	8.	Tired Town 02:09
	9.	Cow Tongue Soup 02:30
	10.	Waiting Is Easy 03:38
	11.	Above The Salt 03:42
	12.	Slash Compactor 03:56

about

Some things come easy. One day a guitarist named Chad M. Clark cold-called me and asked if I would do a casual recording session with him. I vetted him online for a few minutes and I could quickly tell he knew what he was doing, sonically and technically. A lot of improvising guitar players sound the same to me, so they're automatically suspect. Mr. Clark makes interesting choices and I could tell his dystopian angularity would be copasetic to my inclination towards disruption. I had a lot on my plate the day of our session and I wound up having to be called by engineer to show up. Embarrassed, I arrived unfashionably late and in a frenzy, but I feel I made up for my tardiness with the focus and urgency of my performance. We improvised a bunch of long pieces that night and wrapped it in a couple of hours. I was pleased with the mixes and the playing, but Chad wanted to edit and make succinct pieces out of what he thought were the most cohesive and best statements of the session. I think his instincts were correct. The process of improvisation can whatever we want it to be. I do believe this is more than just another tossed off musical event. Neither of us had to make this record, but we decided it was worth hearing. You be the judge. The world can always use a little more harsh, unforgiving modernism.

- Weasel Walter, Chicago, January 31, 2024

credits

released February 15, 2024

Chad M. Clark - guitar
Weasel Walter - drums

Recorded by Bill Harris at Marmalade, Chicago, Illinois, October 25th, 2023

c+p Clark/Walter 2024

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about

Weasel Walter Chicago, Illinois

ugEXPLODE Records was founded in 1991 and dissolved in 2013, and revived in 2018 building on a raw aesthetic springing from extreme rock forms and free jazz.

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